Music and Recording in King Chulalongkorn’s Bangkok

By James Leonard Mitchell
362 pp. 2022, 15 x 23 cm. Paperback

Music and Recording in King Chulalongkorn’s Bangkok is the first comprehensive history of Siamese music during the celebrated reign of Rama V (r. 1857–1910). Following on from the author’s 2015 exploration of Thailand’s most popular music genre, luk thung, James Leonard Mitchell focuses in on the brief period from 1903 to 1910 when gramophone recording came to Siam and almost failed. Music and Recording in King Chulalongkorn’s Bangkok is the story of Siamese musicians, European recording experts and Chinese middlemen. It is the story of the city that was inherited and developed by Rama V, of a Chinese community seething with secret societies and revolution, and of the adventurous western companies that dreamed of global commercial domination. Based on research from the EMI Archive in London and the Ethnologisches Museum in Berlin, along with years of fieldwork in Thailand, the book contains 88 photographs, a discography of all known recordings, and links to YouTube videos. 

About the Author 

James Leonard Mitchell completed his PhD from Macquarie University in 2012 before becoming Assistant Professor in the Faculty of Fine and Applied Arts at Khon Kaen University in Thailand. He is currently Professor of Ethnomusicology at Missional University and lives with his family in Sydney, Australia. In 2020 he received an Endangered Archives grant from the British Library to digitize early Thai gramophone records. 

Table of Contents 

Acknowledgments 
Preface 
Introduction 
Chapter 1 King Chulalongkorn’s Bangkok 
Chapter 2 The Chinese in Bangkok 
Chapter 3 Music and Theater in Siam Before 1903 
Chapter 4 Recording of Siamese Music up to 1915 
Conclusion 
Appendices 
References 
Index